Six builds, in the state each one actually is in.

Forno DPR is a pizzeria, and the work was the brand and the site that carries it. It is live in production, which in practice means that what a customer finds when they search the name is what we made. A restaurant site has one duty before any other: someone standing on a street with a phone should find the menu, the hours and the way to order without having to think.

Everything decorative on that site is subordinate to that duty. The photography and the typography do the atmospheric work, because food is bought with the eyes first. The structure underneath is plain on purpose: sections you can find quickly, a number that taps, pages that survive a weak connection.

It follows the standard we hold to on every hospitality build. The people who run the restaurant should be able to change a price without calling a developer, because menus move with the seasons and a site that cannot move with them quietly rots.

Being live is not the same as being finished. We still watch it, and small corrections continue.

Villiz Pixels is our own photography studio, live at villizpixels.com. It exists because we kept needing something the market did not sell: a place where a photographer can hand a client a private gallery that looks like the work, and where that client can download full-resolution files without an account, a subscription or an argument.

The gallery is the product. A public portfolio is easy. The difficult hour is the one after the shoot, when a family or a brand needs their images in a form they can actually use, and the delivery is where most photography businesses lose the goodwill they earned on the day.

We run it as a working studio rather than a demonstration of one. Sessions are booked through the site, and the same standard applies to a single portrait sitting as to a brand shoot with a crew and a schedule.

Naija Day 2026 is an event experience built for a national day, and it was delivered. Event sites have a hard lifecycle. They must be useful for a few weeks, memorable for longer, and cheap to keep once the day has passed.

Designing for the peak instead of for permanence changes every decision, from the weight of the first screen to the number of pages behind it. The structure here is a single confident front and a small number of deep pages: what the day is, who is behind it, where to be. An interactive canvas celebration sits inside the experience, because a moment you can play lingers longer than a banner you scroll past.

Most of what would normally live in a menu sits on one scroll instead, because the visitor is usually on a phone and usually deciding whether to come at all.

We build games. Not as a side note — as a discipline that keeps the rest of the work sharp, because a game is unforgiving: if the loop is wrong, nobody plays.